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Marcus Prasad

Articles

The Killing of a Sacred Deer: Affective and Temporal Configurations of Dread (upcoming)
MONSTRUM 6.1

 

Spaces Unknown: Articulations of Suburban Normativity and Alterity in James Wan's Insidious (2010) (upcoming)

Wreck Graduate Journal 5.1

Splitting Space: Queering Suburbia in Postwar America (upcoming)
Journal for Literary and Intermedial Crossings 5.3

Spanish Iconomachy and the Hybridization of Contemporary Musical Identity: Rosalía's Pienso En Tu Mirá 

Cinephile 16.1

The Sub(urban)altern: Spatial and Temporal Refractions of Normativity in Ari Aster's Hereditary (2018) 

CineAction 101

Affective Disruptions: Embodiment and the Leon Ladner Clock Tower 
Belkin Art Gallery 

Shining Light on Theft: The Duality of Gold in Joy Lynn Davis' Remembering The Lost  

Undergraduate Journal of Art History 8

Book Chapters

Horror and Fine Art (upcoming)
The Routledge Companion to Horror

Art Reviews and Criticism

Fireweed Fields: Resilience and Resurgence After Crisis 

SAD Magazine 33

Image Bank: Reframing the Picture 

Belkin Art Gallery

Fata Morgana: Closing Reflections 

Belkin Art Gallery

Stations: Instagram Takeover with Marcus Prasad 

Belkin Art Gallery

The Lighthouse (2019) 

Cinephile 14.1

Les Ballets Trockadéro de Monte Carlo Gracefully Engages a New Experience of Ballet 

SAD Magazine 

Monster in the House: The Uncanny Acuity of Ari Aster's Hereditary 

SAD Magazine 27

Culture

Free Fall: Reflecting on Brendan Fernandes' Inaction and Queer Healing 

SAD Magazine 31

Queerness and Temporality: "Coming Out" as a Process 

SAD Magazine 29

Interviews

Ars Scientia Student Reflections 

Belkin Art Gallery

Subversive Subjectivities: Intersecting Reference and Experience 

Undergraduate Journal of Art History 8

#BoysDanceToo: Les Ballets Trockadéro de Monte Carlo 

SAD Magazine 

My Moms, My Dads and Me: A Chronicle of Queer Parenting 

SAD Magazine 

Experience Essential Cinema: The Cinematheque's 24-Hour Movie Marathon 

SAD Magazine 

Lectures

Circuitries of Subjectivity: Fragmented Bodies and (In)finite Selves in Infinity Pool (2023)
Groupe Intervention Vidéo (GIV), Montréal, April 2023

Presentations

UBC Graduation Address 

November 2020

Carleton University: Beyond Compare 
March 2020

Ontario College of Art and Design: Economies of Dispossession 
March 2020

University of British Columbia: Disruptive Materialities 

February 2020

University of Victoria: Visual Impetus 
January 2020

McGill University: Potentials of Ecocriticism 
February 2019

University of Victoria: Visual Impetus 
January 2019

University of British Columbia: Undergraduate Film Symposium 
March 2017

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