Theses

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• Splitting Space: Destabilizing the Suburban House in Postwar Art and Contemporary Horror Film →

  • ​​Master's Thesis, Department of Art History, Visual Art and Theory, University of British Columbia​

  • Advisory Committee: Dr. Ignacio Adriasola, Dr. Erin Silver

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• Marble and Metal: Translations and Replications of the Classical Form in Jeff Koons' Gazing Ball (2013)

  • Undergraduate Honours Thesis, Department of Art History, Visual Art and Theory, University of British Columbia​

  • Advisory Committee: Dr. Joseph Monteyne

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Articles

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• The Affective Contours and Configurations of Dread: Yorgos Lanthimos' The Killing of a Sacred Deer →

  • ​MONSTRUM 6.1

  • Winner of SCMS Horror SIG Graduate Essay Prize 

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• Spaces Unknown: Articulations of Suburban Normativity and Alterity in James Wan's Insidious (2010) →

  • ​Wreck Graduate Journal 5.1 

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• Spanish Iconomachy and the Hybridization of Contemporary Musical Identity: Rosalía's Pienso En Tu Mirá →

  • ​Cinephile 16.1

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• The Sub(urban)altern: Spatial and Temporal Refractions of Normativity in Ari Aster's Hereditary (2018) →

  • ​CineAction 101

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• Affective Disruptions: Embodiment and the Leon Ladner Clock Tower →

  • ​Belkin Art Gallery 

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• Shining Light on Theft: The Duality of Gold in Joy Lynn Davis' Remembering The Lost  →

  • ​Undergraduate Journal of Art History 8

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Book Chapters

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• The Problem of the Sleeping Child

  • ​​​​​21st Century Horror, Edinburgh University Press (upcoming)

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• Horror and Fine Art

  • ​​The Routledge Companion to Horror (upcoming)​​​

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Book Reviews

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• Lee Edelman's Bad Education: Why Queer Theory Teaches Us Nothing

  • ​Film-Philosophy (upcoming)​

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Art Reviews and Criticism

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• Fireweed Fields: Resilience and Resurgence After Crisis →

  • ​​SAD Magazine 33

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• Image Bank: Reframing the Picture →

  • ​​Belkin Art Gallery

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• Fata Morgana: Closing Reflections →

  • ​​Belkin Art Gallery

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• Stations: Instagram Takeover with Marcus Prasad →

  • ​​Belkin Art Gallery

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• The Lighthouse (2019) →

  • ​​Cinephile 14.1

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• Les Ballets Trockadéro de Monte Carlo Gracefully Engages a New Experience of Ballet →

  • ​​SAD Magazine 

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• Monster in the House: The Uncanny Acuity of Ari Aster's Hereditary →​​

  • ​SAD Magazine 27​

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Culture

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• Letter to Codes →

  • C Magazine 156

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• Exorcising The Exorcist →

  • MONSTRUM 6.1 

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• Free Fall: Reflecting on Brendan Fernandes' Inaction and Queer Healing →

  • SAD Magazine 31

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• Queerness and Temporality: "Coming Out" as a Process →

  • SAD Magazine 29

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Interviews

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• Ars Scientia Student Reflections →

  • ​Belkin Art Gallery

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• Subversive Subjectivities: Intersecting Reference and Experience →

  • ​Undergraduate Journal of Art History 8

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• #BoysDanceToo: Les Ballets Trockadéro de Monte Carlo →

  • ​SAD Magazine 

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• My Moms, My Dads and Me: A Chronicle of Queer Parenting →

  • ​SAD Magazine 

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• Experience Essential Cinema: The Cinematheque's 24-Hour Movie Marathon →

  • ​SAD Magazine 

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Lectures

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• Wikipedia and the Politics of Knowledge

  • COMS 340, McGill University, March 2024​

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• Circuitries of Subjectivity: Fragmented Bodies and (In)finite Selves in Infinity Pool (2023) →​​

  • ​Groupe Intervention Video, Montreal, April 2023​

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Symposia

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• McGill University: Reorienting the Sublime
  • Symposium Co-Chair
  • April 2024

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• University of Toronto Cinema Studies Institute: Fragmentation

  • "Configuring Cinema's Desire: Contemporary Horror and its Rubble"

  • February 2024

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• McGill University and Université de Québec à Montréal: Nocturnal Spatialities 

  • Panel Chair

  • May 2023

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• UBC Graduation Address ➝

  • November 2020

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• Carleton University: Beyond Compare 

  • "Fracture/Refraction: Deleuze, Queer Time, and the Gothic"

  • March 2020

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• Ontario College of Art and Design: Economies of Dispossession 

  • "Unhomely Houses: Queering Space in Contemporary Gothic Film"

  • March 2020

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• University of British Columbia: Disruptive Materialities 

  • "The Sub(urban)altern: Spatial and Temporal Refractions of Normativity in Ari Aster's Hereditary (2018)"

  • February 2020

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• University of Victoria: Visual Impetus​
  • "Spaces Unknown: Queer Articulations in James Wan's Insidious (2010)"
  • January 2020​

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• University of British Columbia: Violentia: Representing Bodies and Violence​
  • Symposium Co-Chair
  • March 2019

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• ​McGill University: Potentials of Ecocriticism 

  • "Naturalized Commodification: Biophilia, Open Space, and Consumption in Outdoor Mall Architectures"

  • ​February 2019

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• University of Victoria: Visual Impetus

  • "Voice Activated Home Automation and the Shifting Landscape of the Domestic Sphere"

  • ​​January 2019 

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• University of British Columbia: Undergraduate Film Symposium 

  • "Lurking Existential Fear: Space and the Human Condition in David Robert Mitchell's It Follows (2014)"

  • ​March 2017