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Invited Lectures and Presentations

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  • Luca Guadagnino's Queer

    • Screening and Seminar, Arise Art Space​

    • April 2025, Busan, South Korea

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  • Sex and Subjectivity: The Formal Limits of the Body

    • Lecture, Emory University Department of Comparative Literature

    • November 2024​, Atlanta, Georgia

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  • Circuitries of Subjectivity: Fragmented Bodies and (In)finite Selves in Infinity Pool (2023) →​​

    • ​Lecture, Groupe Intervention Video

    • April 2023​, Montréal, Québec​​

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  • Graduation Address ➝

    • Valedictory Speech, University of British Columbia

    • November 2020, Vancouver, British Columbia

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​​Course Lectures 

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  • Social Sciences and Humanities Research Methods: Research Design

    • COMS 330 Lecture, McGill University

    • March 2026, Montréal, Québec

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  • Social Sciences and Humanities Research Methods: Ethnography and Field Notes

    • COMS 330 Lecture, McGill University

    • February 2026, Montréal, Québec

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  • Social Sciences and Humanities Research Methods: Interviews

    • COMS 330 Lecture, McGill University

    • February 2026, Montréal, Québec

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  • Psychoanalysis and Critical Theory: Gilles Deleuze and Félix Guattari

    • COMS 301 Lecture, McGill University

    • October 2025, Montréal, Québec

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  • Psychoanalysis and Critical Theory: Jacques Lacan

    • COMS 301 Lecture, McGill University

    • October 2025, Montréal, Québec​​​

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  • Sex and The Screen: Polymorphous Perversity

    • GSFS 401 Seminar, McGill University

    • January 2025, Montréal, Québec​​

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  • Wikipedia and the Politics of Knowledge

    • COMS 340 Lecture, McGill University

    • March 2024​, Montréal, Québec

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Workshops

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  • Sex and the Aesthetics of the Finite

    • Sex in Theory and The University of Toronto​

    • Participant, October 2025

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  • Sex and Exclusion

    • Sex in Theory and Reorienting the Sublime Graduate Symposium​

    • Co-Chair, April 2024

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  • I'll Sleep When I'm Undead​

    • Collective for Research on Epistemologies and Ontologies of Embodied Risk​

    • Participant, July 2023

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Conferences and Symposia​

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  • Ancient Drama: Between Tragedy and Horror
    • Michael Cacoyannis Foundation
    • Paper: "Dread, Tragedy, and The Killing of a Sacred Deer"
    • September 2024, Athens, Greece

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  • Film-Philosophy Annual Conference
    • Museu Municipal de Espinho
    • “Lines of Desire: Sex as Tautology for the Visual and the Violence of Form in Luca Guadagnino’s Challengers”
    • July 2024, Espinho, Portugal

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  • Art History and Communication Studies Graduate Symposium: Reorienting the Sublime
    • McGill University
    • Symposium Co-Chair
    • April 2024, Montréal, Québec

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  • Cinema Studies Institute Graduate Symposium: Fragmentation

    • University of Toronto

    • Paper: "Configuring Cinema's Desire: Contemporary Horror and its Rubble in Yorgos Lanthimos' Poor Things"

    • February 2024, Toronto, Ontario

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  • International Night Studies Network: Nocturnal Spatialities
    • McGill University and Université de Québec à Montréal

    • Panel Chair

    • May 2023, Montréal, Québec​​

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  • Art History Graduate Student Symposium: Beyond Compare 

    • Carleton University

    • Paper "Fracture/Refraction: Deleuze, Queer Time, and the Gothic"

    • March 2020, Ottawa, Ontario 

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  • OCAD University Graduate Conference: Economies of Dispossession 

    • Ontario College of Art and Design

    • Paper: "Unhomely Houses: Queering Space in Contemporary Gothic Film"

    • March 2020, Toronto, Ontario 

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  • Central, Eastern, and Northern European Studies Graduate Conference: Disruptive Materialities 

    • University of British Columbia, Vancouver

    • Paper: "The Sub(urban)altern: Spatial and Temporal Refractions of Normativity in Ari Aster's Hereditary (2018)"

    • February 2020, Vancouver, British Columbia

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  • Art History and Visual Studies Graduate Conference: Visual Impetus​
    • University of Victoria
    • Paper: "Spaces Unknown: Queer Articulations in James Wan's Insidious (2010)"
    • January 2020​, Victoria, British Columbia

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  • Art History, Visual Art and Theory Graduate Symposium: Violentia: Representing Bodies and Violence​
    • University of British Columbia
    • Symposium Co-Chair
    • March 2019, Vancouver, British Columbia

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  • ​Art History and Communication Studies Graduate Symposium: Potentials of Ecocriticism 

    • McGill University

    • Paper: "Naturalized Commodification: Biophilia, Open Space, and Consumption in Outdoor Mall Architectures"

    • ​February 2019, Montréal, Québec

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  • Art History and Visual Studies Graduate Conference: Visual Impetus​

    • University of Victoria​

    • Paper: "Voice Activated Home Automation and the Shifting Landscape of the Domestic Sphere"

    • ​​January 2019, Victoria, British Columbia

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  • Undergraduate Film Symposium 

    • University of British Columbia

    • Paper: "Lurking Existential Fear: Space and the Human Condition in David Robert Mitchell's It Follows (2014)"

    • ​March 2017, Vancouver, British Columbia

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